Consonance/dissonance – a Historical Perspective
نویسنده
چکیده
This paper looks at the various approaches as taken in order to understand the phenomenon of consonance/dissonance. While an early understanding of consonance/dissonance was based upon number ratios (Pythagoras), it became a question of resonance for Descartes. Subsequently, Euler attempted to formalize the ratio approach by classifying intervals into consonance/dissonance classes according to prime factors producing impressive results. Helmholtz then somewhat picked up on where Descartes had left considering a physical/acoustical model based on roughness. Inevitable, the issue became a psychological one during the late 19 century with Stumpf which ultimately resulted in a cognitive model as produced by Hofmann-Engl in 1990. This model has remained unchallenged during the last 2 decades and has been found of good validity in a number of contexts.
منابع مشابه
Diatonic, Chromatic, Enharmonic; Consonance, Dissonance Historical and Cultural Space Meanings
In music there are several terms permanently used, whose meaning changed in time, depending on the historical moment or cultural space; among them, consonance and dissonance, diatonic, chromatic, and enharmonic. Tonality appeared during baroque era and was finalized by J.S. Bach. After that, it grew up in the music of Haydn, Mozart, Beethoven, Chopin, Liszt – for about 150 years. At the end of ...
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